I poured far more love into this painting than I planned. Who can really care for a junk drawer? Well, I have to say I have more feelings about my drawer full of tools and odds & ends than I ever had before. Tools really are beautiful objects, and we grow so attached to them because they help us get things done.
Another painting that I reworked to bring up the highlights, and capture the effect of the eggs reflecting the green of the bowl. I could continue to work on this endlessly but for now, I’m done.
P.S. I bought this Art Deco bowl at a tag sale in Peekskill from a warehouse that rents props to filmmakers. I am sure I once saw it in a thin man movie... : )
If you want a bowl like this, you have to drive a Jeep high into the mountains above Todos Santos, Mexico and visit La Candelaria. Lorena, who is originally from Oregon, will give you a tour of her home and work area, and describe the self-glazing technique of previous generations that she learned from elderly artisans. She fires her work in a pit filled with a favorite local fuel, which is produced by the roaming cows. We love this bowl and I can’t believe it is the first time I’ve painted it.
I set this up for a Zoom session with my fellow Friday afternoon sketchers. Normally, we are pens and sketchbooks at the local coffee shop but since we are home during the pandemic, I’m painting away at my studio.
Yet another revisitation of an old painting. I loved bringing out the highlights, showing that warm wonderful Italian sun. This was from a show I did with Lavinia Wiggins called “Postcards,” about places we’ve been or wanted to have been. I still would like to go to Venice!
There is actually this little shed that has been painted by so many people that it is considered the Number 1 painting motif in the United States. It is in Rockport Massachusetts, and there is a Wikipedia article about it, just google the title! This is an older painting but it needed work.
I’ve always been attracted to foggy days, but don’t often take one on as a painting.
On Martha’s Vineyard I saw the most wonderful artist named Kara Taylor, who painted huge surrealistic pieces but also some small, dreamy landscapes. In these small pieces she used encaustic to the most wonderful effect, which I may someday try!
I have just finished “My Ántonia” by Willa Cather, and found it to be the story of my great grandparents who settled South Dakota. Raised in a Chicago suburb, I was lucky enough to spend several weeks each summer on my Aunt Arlene and Uncle Bud’s farm in the Black Hills. I wandered the fields, met cows, caught frogs and watched chickens - they made me nervous!
This fella just seems very proud of himself. Or maybe it’s just that I think he’s gorgeous!
I am trying to get back into the swing of things and get ready for a couple of commissions. This is actually a painting from last year that I reworked, making me much happier with it.
I love to paint a house in front of the ocean or a river, but here is one behind the water! It”s so odd that some trees are in bloom and others haven’t even leafed out. This is a real orange/green composition, but the sky is the palest blue ever..
I kept coming back to this image because of the cool fish painted on the bright side of the glowing white shed. So glad I’ve finally tackled it! I’m happy with the water, and I did reduce the paraphernalia in the background, masts, boats and other marine accoutrements, in order to enjoy the trees!